Malia AuParis

EVIDENCE FOR MY FUTURE CRIMES AGAINST HUMANITY TRIAL. MALIAMOSS.COM & YOUTUBE/AUPARIS
My cut looks like a penis. I’m twelve.

My cut looks like a penis. I’m twelve.

fohk:

“A real loser is someone who’s so afraid of not winning he doesn’t even try”
Little Miss Sunshine (2006)Jonathan Dayton, Valerie Faris

fohk:

A real loser is someone who’s so afraid of not winning he doesn’t even try”

Little Miss Sunshine (2006)
Jonathan Dayton, Valerie Faris

(via jackhoward)

Just found a missing Lyra hidden in my bed. Look at how fucking adorable she is!

Just found a missing Lyra hidden in my bed. Look at how fucking adorable she is!

"Filming videos for people for money wearing fake red glasses" -a love story

"Filming videos for people for money wearing fake red glasses" -a love story

This girl likes to party.

This girl likes to party.

recycledmoviecostumes:

The Oscar nominated costumes for Sense and Sensibility were designed by Jenny Beavan and John Bright. They worked with one another on several other films, including The Remains of the Day, A Room With a View and The Bostonians. Their creations for Emma Thompson’s screenplay of Jane Austen’s famous novel have gone on to be used and altered for many Regency era films and television shows.

This white and blue checked gown has certainly made the rounds over the years, having been worn at least nine times. It first appeared in 1995 on Emma Thompson as Elinor Dashwood in Sense and Sensibility. It was seen again in 2000 on Honeysuckle Weeks as Alice in the television special Victoria Wood with All the Trimmings in a skit entitled Plots and Proposals.  In 2002 it was seen on an extra in the mini-series Napoléon.  In 2003 it was worn again on an extra in Byron, and in 2004 was utilized in the reality series Regency House Party on Victoria Hopkins.  The gown was worn twice in 2007, first in Mansfield Park on Billie Piper as Fanny Price, and then in Persuasion on Rosamund Stephen as Henrietta Musgrove. In 2011 it was spotted on Nicola Burley as Isabella Linton in Wuthering Heights.  Most recently the costume was seen in 2013 in Austenland on Georgia King as Lady Amelia Heartwright, though some trim has been added to the sleeves and empire waist to give it a slightly different look.

Costume Credit: Anna, Cintia, Shrewsbury Lasses

E-mail Submissions: submissions@recycledmoviecostumes.com

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iheartmyart:

Omote/Real-time Face Tracking & Projection Mapping

Project Members:

Nobumichi Asai (Planner/Producer/Technical Products - P.I.C.S.) 
Hiroto Kuwahara (Art Director & Makeup)
Paul Lacroix (Technical Director/Programmer - Transit Digital Works)
Jin Hasegawa (CG Designer - Spade)
Takashi Ishibashi 
(CG Designer - Spade)
Ayaka Motoyoshi (Production Manager - P.I.C.S.)

Special Thanks

Aya Kumakura (Production Manager)
Yoshihiro Ueno (Production Manager - P.I.C.S.)
Koji Kojima (Producer)
Kazuhiro Nakamura (Colorist - McRay)
Kenji Nakazono (Photographer - Creative Studio Works)
Kimihiro Morikawa (Photographer - Shooting & Lighting)

Jin Hasegawa (Spade)

Rhea Tor’s Inc.
Dan (Stylist)

K. Furumoto (Hair - &´S Management)

Yuka Sekimizu (Model - Satoru Japan)

Hideaki Takahashi (Music - Mjuc)    

via The Verge

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mrtimh:

theunwashedmass:

Here’s a video I helped write. 

And he did an amazing job.

Please do check out the gigantic description to understand just how many incredibly talented people helped make this project a reality :)